“Michael Glancy’s work is aesthetic, it is scientific, and it might be considered as growing, literally by hand, from a near-molecular vision. Beginning with cell-like patterns and arcane notations jotted on paper, Michael‘s objects slowly acquire form and texture, shaped and revealed by cutting, sandblasting, and the application of copper. New forms are then made from existing forms, and the evolution continues. I am just beginning to understand what‘s going on over at the Glancy studio.” Tina Oldknow, Curator (retired), Corning Museum of Glass

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